I persisted, though. I told him how we had peeked through the French doors into the famous restaurant. I asked him what was on the other side of that wall now.
His reply, which he himself considered a bland statement of fact, fell so harshly on my ears that he might as well have slapped me hard in the face. He said this:
"Fist-fucking films."
It woke me up a little, that I should be so surprised and appalled. He was sorry, as he would tell me later, to have brought a sweet little old man such ghastly news about what was going on right next door. He might have been my father, and I his little child. He even said to me, "Never mind."
"Tell me," I said.
So he explained slowly and patiently, and most reluctantly, that there was a motion-picture theater where the restaurant used to be. It specialized in films of male homosexual acts of love, and that their climaxes commonly consisted of one actor's thrusting his fist up the fundament of another actor.
I was speechless. Never had I dreamed that the First Amendment of the Constitution of the United States of America and the enchanting technology of a motion-picture camera would be combined to form such an atrocity.
"Sorry," he said.
"I doubt very much if you're to blame," I said. "Good night." I went in search of my room.
Kurt Vonnegut
Jailbird
19 October
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